DRAWER FLAMENCO "It's from Peru, brought to Spain, Paco de Lucia on 70 and quickly moved to the flamenco replacement and reinforcement of the only hitherto admitted percussion gender: palms, heels or the occasional ringing in the back or other parts of the guitar. It is true that a stick of flamenco, particularly the ram, was accompanied formerly a hammer and anvil in the forges of Andalusia, and is quite common for the singer of another orphan support better use your fingers and knuckles to lay the rhythmic pattern hitting the top of a table. Has two sets of guitar strings on the interior, which are beaten by the vibration of the wood. 
CHIME 
DEJEMBÉ - African Membrafono. Made in Senegal. Patch goat and wooden body in one piece, cast and carved adze stroke. The sound of this instrument is very special and none are alike. It originated in the former Manding Empire, roughly between the towns of Bamako (Mali) and Kankan (Guinea), from here later migrated to Senegal, Ivory Coast and Burkina Faso. Sometimes they are usually placed a sheet metal accessories holes where wires hanging rings that vibrate when you touch the drum. 
DJEMBE
DARBUCA-TURKEY , Membráfono. Patch PVC and aluminum body. The patch is secured with aluminum ring five screws, which in turn are used to tune. In Turkey and throughout the Maghreb often touching under the arm supported.
SEED RATTLE. Senegal. Are placed between the fingers through the rope that binds them. Are sounded while they dance.
SEED RATTLE. Ghana.
tambourine MOROCCO SQUARE Built with a bladder patch in one piece. Inside is a rope stretched to give it more resonance.
CROTALE BERBER. - These are double metal castanets and various sizes are attached to the fingers and are colliding with each other. They are one of the main instruments in the Gnawa music, which is the name given in Morocco and elsewhere in the Maghreb members of a Muslim mystical series characterized by sub-Saharan origin and the use of songs, dances and rituals as syncretic means to reach the "trance", as part of one of the major genres of folklore of Morocco.
Membráfono BODDHRAN-Irish. It is an Irish frame drum. The diameter of the frame is from 25 to 66 cm., While the depth is between 9 and 20 centimeters. On one side of the frame is a membrane (or patch) is stretched over and nailed to the frame with tacks. Traditionally, the membrane is usually goat skin, but is now common to find bodhrán made from skins of other animals like the kangaroo or synthetic materials like Kevlar. The other side of the frame is opened. One or two crossbars inside the frame strengthen its structure and serve to hold.
-CHAS CHAS. (Peru, Bolivia and Ecuador) Built with a fabric strap, which are sewn a number of hooves of a goat, llama or alpaca. Be placed on the wrists or ankles, especially during the dance, producing a sound very similar to the rain. Are used in many dances and ceremonies such as rhythmic accompaniment of Andean bands and their existence dates back to pre-Incan cultures. 
DAN MOI - idiophone Vietnamese. Metal Mouth Harp with case is a type of Jewish harp coming from Vietnam. Most of the moi are leaving a piece of copper and connected to a rope to a bamboo shams. Rather than playing against the teeth, like most Jewish harps, the dan moi is played against the lips and mouth used as a resonating chamber. 
CHAS CHAS-
Balafon - Idiophones Africa. Wooden instrument used in West African percussion. The sound is produced with two padded sticks to hit the tables that compose it, and its sound is amplified by means pumpkins housed under tables that make soundboard. Traditionally, they used to narrate oral histories, and is an instrument that has been developed independently and with different names. Mandinka balafon is a name but there are variations across West Africa.
Balafon 
Balafon 
TAM-TAM. Mexico. is a reed which have made the top slots to get the air when struck, as the two ends are covered with skin. Alternating strokes to touch both sides of skin and in the middle of sugarcane.
TAM-TAM 
CANTARANA 
CANTA RANA - Basque Country. Membáfono friction. To make it sound, it holds in one hand a glass, ceramic or wood that makes a sounding board, and the other is rotated a stick (usually dipped in resin to slide better) at the other end of the rope, which have previously stretched. The sound is transmitted through the string to the soundboard.
small drum. IGUAZÚ
METAL SCRAPER. Dominican Republic. is a metal tube full of projections, which when scratched with the trident of metal is used as accompaniment. In English folklore is used bottle of anise scraped with a fork.
WOOD SCRAPER. Colombia. Like the Dominican scraper, only it's wood with a notch in the same
small drum. Tunisia. Decorated ceramics and leather patches. Excitedly turns to touch horizontally, which makes ceramic balls hit on both sides of the patches of skin.
BELL.
KALIMBA . Idiophone. Spread throughout the African continent. Different names, depending on countries and peoples: Malimba, mbira, kisaanji, likembe, Sanza ... It has a set of slides of different length and material that produce sounds when pressed with fingers. Depending on the dimensions of the blades vibrate more or less what it means different notes that can be tuned by lengthening or decreasing its length. The soundboard in which are fastened at one end of the slides can take many forms and be of different materials, in these cases is pumpkin. It is held by both hands and played with the thumbs. The tuning is the center for outside and interspersed notes left and right fingers.
KALIMBA
KALIMBA . 
Darbuka GRANDE. Tunisia. ceramic body and skin patch
SMALL
Darbuka
Darbuka SMALL
Darbuka SMALL
Darbuka - Egypt
patch of skin and body decoration maderacon
imitation pearl
CAIXIXI-AFRICA. Idiophone Wicker and squash. Gripped by the fingers through the hole he has, and is sounded with vertical movements.
MARACA. VIETNAM
MARACA. AUSTRALIAN
DRUM OF CUBA. Of African origin, in this drum skin is stretched by a few sticks that are embedded in the body of it. Their sound is nearly identical to the djembe.
RIES-TAMBOURINE MOROCCAN
Membráfono Moroccan. Wood, pearl and skin.Also called Daff or Adufe is a small tambourine Arab origin. This is used in Egypt, Syria, Lebanon, Iraq, Iran and Turkey mainly. In antiquity it was an instrument unique to women and was executed in dances and religious ceremonies. Is approximately 20 cm in diameter and 6 cm in width. It has a leather patch goat or fish, which is stretched over a wooden frame which usually is decorated with inlaid mother of pearl. The riq has 10 pairs of bronze or brass rattles distributed evenly around the frame. Especially valued for the variety of sounds that can occur depending on the musician virtuosity with which it runs. Up to half of the twentieth century it was common for the riq is the only percussion instrument in the orchestra but in the mid 60's with the addition of Darbuka or table and other percussion instruments the riq was losing ground.
TAM-TAM (large). Morocco
KALIMBA
KALIMBA
RAIN STICK- idiophone Indonesian. The rain stick or stick water is a long hollow tube filled with pebbles or seeds, inside which are stuck bamboo sticks or wood, forming a spiral that extends the entire length. When the tube is gently tilted the seeds fall and beating with sticks produce a sound that resembles falling rain or water. It is generally used to create surround sound effects or percussion instrument, as in this case because it is very short.
harp INDIO - Indio idiophone
. Harp Boca metal. It's kind of iron fork keyhole welding on which a sheet or tab., This is the harp of the quintessential Indian desert. His long grip size allows the instrument by hand box and beat the laengüeta with power and precision. Rajasthani in the art, the sound is emitted from the interior of the larynx as the pace is steady and persistent (nearly mantric).
Her name changes according to countries or cultures, the mouth is as a sounding board. There is a multitude of terms that is called to this instrument. Voices like "trunk", "Jew's harp," "mouth harp", "plow" "Horn of Paris" or "Jew's harp, and some variants as" trunk gypsy "," trunk Galician "," Jewish horn. " In Europe is also curious names like "scacciapensieri (away thoughts) and" spassapensieri "(distracting thoughts) in Italian;" brummeisen "(beep or buzzer iron)," maultrommel "(drum mouth), Mundharmonika" (accordion and harmonica mouth) in German, "rebut" (waste, in Old French), "trompe laquais" (horn of lackeys) or "trompe de Béarn" in French; "Guitar" in Provence, "" ributhe "(waste, in old Scottish). Morchang seems proven that, like other instruments, was introduced into Spain by the French route, entering with the pilgrims and the sellers of knives, pins and pots, which were often tinkers and blacksmiths.
harp - Sicily
harp. Sicily
MARACAS CUBAN. are made from different kinds of pumpkins that are hollowed and dried seeds into which he inserted. They are played by way of snapping its contents rattle the walls of the instrument. Usually used in pairs, the male differentiating (sound worse) of the female (sharper sound). This is accomplished by adjusting the amount of seeds inside or varying the size of the pumpkin. Is sometimes used one large pumpkin and pear-shaped covered with a mesh of small snails that responds to movement of the instrument smacking against the walls.
RATTLE. plastic rattle inside has little balls of metal, to be moved to produce a sound used as an accompaniment
KEY - Idiophones. The keys are a wooden percussion instrument consisting of a hectic couple of cylindrical hardwood sticks. Its diameter is approximately 2.5 inches for a length of 20 cm. The sound occurs when you strike one on the other. Efforts should be made to hold the instrument using the least possible surface, not to drown out the sound. The timbre of this instrument is sharp or cut depending on material and type of wood, as well as finish. His Afro-Cuban origin (as in this case, they are also punched in it). From Havana, the keys went to Latin American music, which are used to set the pace. And, dance music, then took the big jump and slipped in orchestras. Some kind of primitive key may have been the first musical instrument, after the human throat, any culture. Conceivably, the most primitive to produce a percussion was hit by a stone with another or a piece of wood with one or two bones of animals to the beat of a single outbreak melodic.
THAI GONG.
Their sound is short but very deep resonant sound. Side has a simple medium and central decoration
PERU (AMAZON) - Amazon tree seed, joined together, and in turn secured by a stick. Served accompanying dances
castanets
SMALL Darbuka
Darbuka SMALL
Darbuka SMALL 
Darbuka - Egypt patch of skin and body decoration maderacon
imitation pearl
CAIXIXI-AFRICA. Idiophone Wicker and squash. Gripped by the fingers through the hole he has, and is sounded with vertical movements. 
MARACA. VIETNAM 
MARACA. AUSTRALIAN
DRUM OF CUBA. Of African origin, in this drum skin is stretched by a few sticks that are embedded in the body of it. Their sound is nearly identical to the djembe. 
RIES-TAMBOURINE MOROCCAN
Membráfono Moroccan. Wood, pearl and skin.Also called Daff or Adufe is a small tambourine Arab origin. This is used in Egypt, Syria, Lebanon, Iraq, Iran and Turkey mainly. In antiquity it was an instrument unique to women and was executed in dances and religious ceremonies. Is approximately 20 cm in diameter and 6 cm in width. It has a leather patch goat or fish, which is stretched over a wooden frame which usually is decorated with inlaid mother of pearl. The riq has 10 pairs of bronze or brass rattles distributed evenly around the frame. Especially valued for the variety of sounds that can occur depending on the musician virtuosity with which it runs. Up to half of the twentieth century it was common for the riq is the only percussion instrument in the orchestra but in the mid 60's with the addition of Darbuka or table and other percussion instruments the riq was losing ground.
TAM-TAM (large). Morocco 
TAM-TAM. (small) Morocco. Membranophone Moroccan made decorated pottery making as a sounding board, and a double patch bladder. Normally consists of two drums of different sizes to achieve the treble and bass sounds
KALIMBA
KALIMBA
RAIN STICK- idiophone Indonesian. The rain stick or stick water is a long hollow tube filled with pebbles or seeds, inside which are stuck bamboo sticks or wood, forming a spiral that extends the entire length. When the tube is gently tilted the seeds fall and beating with sticks produce a sound that resembles falling rain or water. It is generally used to create surround sound effects or percussion instrument, as in this case because it is very short.
harp INDIO - Indio idiophone . Harp Boca metal. It's kind of iron fork keyhole welding on which a sheet or tab., This is the harp of the quintessential Indian desert. His long grip size allows the instrument by hand box and beat the laengüeta with power and precision. Rajasthani in the art, the sound is emitted from the interior of the larynx as the pace is steady and persistent (nearly mantric).
Her name changes according to countries or cultures, the mouth is as a sounding board. There is a multitude of terms that is called to this instrument. Voices like "trunk", "Jew's harp," "mouth harp", "plow" "Horn of Paris" or "Jew's harp, and some variants as" trunk gypsy "," trunk Galician "," Jewish horn. " In Europe is also curious names like "scacciapensieri (away thoughts) and" spassapensieri "(distracting thoughts) in Italian;" brummeisen "(beep or buzzer iron)," maultrommel "(drum mouth), Mundharmonika" (accordion and harmonica mouth) in German, "rebut" (waste, in Old French), "trompe laquais" (horn of lackeys) or "trompe de Béarn" in French; "Guitar" in Provence, "" ributhe "(waste, in old Scottish). Morchang seems proven that, like other instruments, was introduced into Spain by the French route, entering with the pilgrims and the sellers of knives, pins and pots, which were often tinkers and blacksmiths.
harp - Sicily 
harp. Sicily
MARACAS CUBAN. are made from different kinds of pumpkins that are hollowed and dried seeds into which he inserted. They are played by way of snapping its contents rattle the walls of the instrument. Usually used in pairs, the male differentiating (sound worse) of the female (sharper sound). This is accomplished by adjusting the amount of seeds inside or varying the size of the pumpkin. Is sometimes used one large pumpkin and pear-shaped covered with a mesh of small snails that responds to movement of the instrument smacking against the walls.
RATTLE. plastic rattle inside has little balls of metal, to be moved to produce a sound used as an accompaniment
CROTALE . Morocco. Composed of two thin plates of brass. Each of them holds in one hand and hit the left flat to expand the sound, sometimes it touches an edge against the other and rotated them.
KEY - Idiophones. The keys are a wooden percussion instrument consisting of a hectic couple of cylindrical hardwood sticks. Its diameter is approximately 2.5 inches for a length of 20 cm. The sound occurs when you strike one on the other. Efforts should be made to hold the instrument using the least possible surface, not to drown out the sound. The timbre of this instrument is sharp or cut depending on material and type of wood, as well as finish. His Afro-Cuban origin (as in this case, they are also punched in it). From Havana, the keys went to Latin American music, which are used to set the pace. And, dance music, then took the big jump and slipped in orchestras. Some kind of primitive key may have been the first musical instrument, after the human throat, any culture. Conceivably, the most primitive to produce a percussion was hit by a stone with another or a piece of wood with one or two bones of animals to the beat of a single outbreak melodic.
THAI GONG.
Their sound is short but very deep resonant sound. Side has a simple medium and central decoration
PERU (AMAZON) - Amazon tree seed, joined together, and in turn secured by a stick. Served accompanying dances 
castanets
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