Its origin lies in the fourteenth century Italy, derived from the frottola, homophonic writing and isometric. Anyway it will not be the first madrigal which influence the English composers, but the XVI century, contrapuntal and imitative style, thanks largely to the inspiration and courage of musicians like Willaert.
This genus comprises mainly in Catalonia and musicians Peter Alberch Vila, in fact the Castilian and Andalusian did not accept the term, although the form, for some sonnets and carols Juan Vazquez and Francisco Guerrero.
El Madrigal in Spain can be described as a polyphonic musical composition - vocal, highly refined poetic texts, both for its language and its content, no chorus, with music for all the words and imitative style, somewhat like the motet, with which by the way is often compared, except for the text, profanity here.
This genus comprises mainly in Catalonia and musicians Peter Alberch Vila, in fact the Castilian and Andalusian did not accept the term, although the form, for some sonnets and carols Juan Vazquez and Francisco Guerrero.
El Madrigal in Spain can be described as a polyphonic musical composition - vocal, highly refined poetic texts, both for its language and its content, no chorus, with music for all the words and imitative style, somewhat like the motet, with which by the way is often compared, except for the text, profanity here.
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