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Meeting

It comes the
Meeting Volunteers of
of Ceibal Plan !

When and where? the Saturday, December 5, in LATU of 8.30 to 18 hs.

What can we do? Click [Program of Meeting]

What I need to be on Saturday 5 in the game? Register following the steps as follows: [ INVITATION TO REGISTRATION ]

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Scores Composers and their countries


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The Renaissance is the period par excellence of the vocal polyphony.
New polyphonic compositional styles are: the cantus firmus, imitative counterpoint and homophonic polyphony.

religious vocal music in the Catholic Church encourages the singing of Masses and motets of many voices. For its part, the German Protestant Church reaffirms the coral as important work for their faithful participation in the liturgy singing.

Composers highlights: Orlando de Lassus, Tomás Luis de Victoria, Giovanni Pierluigi da Palestrina and Christopher Morales.

secular music in new forms: the madrigal and opera in music. The prime example in this genre is Claudio Monteverdi.
Carol stands in Spain, which takes into Juan de la Encina one of the most prominent authors.

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Vocal Music Instrumental Music Composers I

In the sixteenth century, the instrumental music to the fore and independence from the vocal music and, thanks to the invention of printing, there is greater diffusion music.

appear derived forms of vocal music, as canzona and ricercare, works on an improvised melody, fantasy and toccata, and music for dance, as the pavan, galliard, the sarabande and Passamezzo.

polyphonic instruments common in this period were the lute, the harpsichord, organ and, in Spain, the vihuela, and the melodic instruments are the viola, viola da gamba, the recorder, flute, the crumhorn and sacabucche.

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Renaissance composers

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Composers II

Renaissance composers

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Tientos Spanish Renaissance Madrigal

most important instrumental form of the XVI and XVII, equivalent the Italian Ricercare.
consists of a series of statements developed imitatively a, homophones other, using all sorts of technical resources of the instrument as dodges, rolls, copied from the motet form. Notable
tientos Hernando Venegas and, for the Milan vihuela, Mudaliar and Fuenllana.

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Its origin lies in the fourteenth century Italy, derived from the frottola, homophonic writing and isometric. Anyway it will not be the first madrigal which influence the English composers, but the XVI century, contrapuntal and imitative style, thanks largely to the inspiration and courage of musicians like Willaert.
This genus comprises mainly in Catalonia and musicians Peter Alberch Vila, in fact the Castilian and Andalusian did not accept the term, although the form, for some sonnets and carols Juan Vazquez and Francisco Guerrero.

El Madrigal in Spain can be described as a polyphonic musical composition - vocal, highly refined poetic texts, both for its language and its content, no chorus, with music for all the words and imitative style, somewhat like the motet, with which by the way is often compared, except for the text, profanity here.

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Fantasy is a musical body built using all the tricks of florid counterpoint, augmentation, diminution, syncopation, flourishes, passing notes, delays, rolls, dodges. Rarely, however, used the device of imitation, even though the voices are going on.

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